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Some content deemed sensitive has been deleted from films, including three being screened at a local film festival this month. Several documentaries about the 2019 pro-democracy protests have been banned, according to media reports.
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The national security law and subsequent amendments to film censorship guidelines make subjects with political content untouchable. Still, there are limits to the kinds of topics that can be featured. "It's important for Hong Kong to have its own movies and stories to be told on the big screens because cinema has always been a very good medium that preserves local culture," said the 36-year-old Wong, who cobbled together $294,000 for her latest movie, with a loan from a director friend and earnings from her debut film "My Prince Edward," which is about a woman who learns to assert herself.
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Some of those include the struggles of blue-collar workers ("The Narrow Road"), the repressed love of closeted elderly gay men ("Twilight's Kiss"), and homelessness ("Drifting"). Low-budget movies also made profits or broke even, while winning local and regional awards as they took on subjects that big studios neglected. The film, which raked in $15 million, setting a record for a Hong Kong film, is among three that made it onto the list of Hong Kong box office hits over the past year, a list previously dominated by Hollywood blockbusters. The government has said the law has restored peace after disruptive and sometimes violent anti-government protests in 2019. When they watch 'A Guilty Conscience,' they feel somebody is speaking their mind to inspire them to stay hopeful in what they see as the bleak reality," Lau said.Ī scene from the film "A Guilty Conscience." (Photo courtesy of Edko Films Ltd.) "In the mind of many local residents, they look for justice but feel disappointed when they see reality. "People are trying to pursue their own identity, stories that belong to themselves."įor example, the highest recent local earner, "A Guilty Conscience," a film about a lawyer trying to find evidence to get his innocent client acquitted, dealt with the issue of justice - a theme that resonated with moviegoers as they see pro-democracy activists, a newspaper publisher and protesters tried under the new law. "Because of all these uncertainties in Hong Kong society, it inspired some local movies which try to tell the stories about Hong Kong people," said Dorothy Lau, a professor at Hong Kong Baptist University's Academy of Film. Industry experts say there is a yearning among audiences in the city for films that reflect their lives. The government has also provided $50 million in funding to revive the industry in the past 15 years, including $30 million in just the past six years, enabling many small- and medium-budget films and new directors' first feature to be made, according to statistics from the Film Development Council.Īlso, the 2019 social and political unrest in Hong Kong and Beijing's passage of a national security law in response to it have made some worry about changes to their way of life. What has helped drive this trend are Hong Kong's tough COVID-19 travel restrictions, which kept directors and audiences at home, giving the former a chance to make local films and the latter the time to watch them.
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In the five years before COVID-19 hit, 275 locally produced movies were made, more than the 256 in the previous five years, including independent films by new directors, according to the Hong Kong Motion Picture Industry Association.įewer films were made during the pandemic, but several enjoyed great success, breaking box office records. Now, Hong Kong may be starting to see a revival in its film industry. "It's like the parents have all left, we're like orphans creating a new world." They make $10 million films there, so they won't make $1 million films here," said Mani Man, vice president of mm2, a company that supports indie films. Very experienced directors all went to the mainland. "The Hong Kong market had totally collapsed.